Shelly Bond’s tenure at Vertigo Comics poured the foundation for the world of comics that we live in right now. Series that she edited revealed to the world that the comic book medium was capable of delivering numerous types of stories.
Shelly’s Black Crown line of comics showcases her aesthetics at their purest.
Along with covering her past and present we discuss how she edits a script, works with established and new talent, and we both geek out over Bill Willingham’s amazing superhero series The Elementals.
Mike Perkins returns to Portrait of an Editor to talk about the new Lois Lane series he is drawing and Greg Rucka is writing for DC Comics.
He discusses Lois Lane’s role in the DCU, the book’s look, tone, the rest of the team, and his overall experience working for DC.
Also, we talk about his work habits, including the eternal question to nap or not to nap during the workday.
Here’s the second half of my two-part interview with Greg Tumbarello. In this one, we talk about his approach to analyzing comic books scripts, the effort it takes to be an overnight success, recovering from losing a job, and upcoming projects that he edited – STILLETO and TUSKER.
This is the first two-parter of 2019 and it’s packed with a whole bunch of info for you.
I should part two posted next week.
In today’s conversation with Greg Tumbarello, we talk about his approach to editing covers, his origin story, his mentors Ralph Macchio and Bob Schreck, and the persistence he maintained to create a career in the comics industry.
Also, once again, you get to hear my take on the ending of John Carpenter’s The Thing.
It has been a year since Sebastian Girner provided the lowdown on life as a freelance editor. Well, things do change. Today we talk about his TKO Studios' Editor-in-Chief gig, binge editing, binge reading & TKO's 2nd wave of books.
We also discuss the greatest comic book store in SoCal-- Burbank's House of Secrets.
When the concept of PORTRAIT OF AN EDITOR was forming in my brain, I made up a list of editors I really wanted to interview. Louise Simonson was high on that list for a heck of a lot of reasons. Having the chance to speak with her was a great pleasure.
We talked about her early days at Warren publishing, Archie Goodwin’s legacy, editing covers, Star Wars, and Power Pack.
Here’s my interview with Kevin Ketner of Dynamite Comics. We had a good time talking about covers, scheduling, how exciting collaboration can be and also got his origin story. Second, you can now find Portrait of an Editor on Spotify. Just do a search and it will come up under podcasts.
For the first interview of 2019, I caught up with Humanoids' Senior Editor Fabrice Sapolsky.
A year ago I spoke with him as he was settling into his new position as Senior Editor. He hinted a lot at the new H1 line then, and now he talks a bit more about it and its premiere this spring on New Comic Book Day. We talk about the other Humanoids imprints Fabrice oversees, Spider-Man: Noir, the roles of various creators on the H1 line, and how to maintain the passion for a project even though it might take two years for it to see the light of day.
For the last episode of 2018, I have something a little different. Dexter Adriano has been an editor on PSYCH, ARROW & LEGENDS OF TOMORROW. Right now he's an editor for Marvel's AGENTS OF S.H.I.E.L.D.
So today I find out what a TV editor does during his workday. We also talk about Tim Truman's SCOUT, having Roger Corman and John Badham for mentors, and not being perfect.